Archive

Glenn Brown – the thinking man’s painter

    A revealing retrospective traces the peculiar and brilliant career of a much collected, but underrated art-world secret

    John Constable and Gerhard Richter have link

      Both the ‘Hay Wain’ painter and more modern German artist have exhibitions of lesser-known portraiture opening in London

      Van Dyck and Britain at Tate Britain

        One of the most interesting paradoxes in British art has been the involvement of so many immigrants. Foreigners, foreigners, everywhere. It really is remarkable. Holbein was German. Van Dyck was Flemish. Lely was Dutch. No other important national school can boast this much aid from abroad. Before the arrival of modern times, I cannot think […]

        Picasso: Challenging the Past at the National Gallery

          Challenging the Past seems to be about the artist’s relationship with the old masters but also studies nature of creativity

          Displaying the Rodchenko and Popova revolution

            Tate Modern exhibition tells the story of constructivism, the explosion of creativity in Russia that rerouted aesthetics

            The Tate: pompous, arrogant and past it?

              The fourth Triennial shows British modern art is clapped out and far from the creativity of Brit Art and the Lisson Gallery I’m an optimist. And I love modern art. It’s been my life, my career, my sustenance. My wife is a modern artist: it’s one of the reasons I love her. My children have […]

              The Victorians: Britain Through the Paintings of the Age by Jeremy Paxman

                What is it about art that makes every Tom, Dick and Jeremy so certain they have the right to comment upon it and be taken seriously? The BBC’s enthusiasm for clipping unqualified presenters onto the fronts of its arts programmes has already given us David Dimbleby absconding from Question Time to tour Britain in his […]

                Charles Saatchi unveils Middle Eastern works

                  The aggressive futurism to be seen at the Estorick Collection can be contrasted with Paul Day’s banal St Pancras sculpture

                  Umberto Boccioni show marks centenary year

                    The aggressive futurism to be seen at the Estorick Collection can be contrasted with Paul Day’s banal St Pancras sculpture

                    Lucky Kunst: The Rise and Fall of Young British Art by Gregor Muir

                      There are various reasons why nobody has previously written a history of that powerful explosion of creativity that shook British art in the 1990s and whose perpetrators have been saddled with the unusually ugly sobriquet of the Young British Artists, or, as the time-poor were apt to condense it, the YBAs. To this day, two […]