Archive

Edvard Munch: Love and Angst, British Museum

    Intense, nervy, unhappy, the Norwegian was also a bold, inventive printmaker, as a fascinating British Museum show proves

    Van Gogh in Britain review — Tate Britain’s show reveals his fruitful relationship with these shores

      This exhibition about the artist’s years in London offers several exciting paintings and a plotline that fizzles out

      Wernher Collection, Ranger’s House

        The rediscovered Botticelli at Ranger’s House is very good news — not least for what it tells us about pomegranates this Easter Day

        Anthea Hamilton, Thomas Dane Gallery review — funny, inventive and a little unsettling

          The British artist’s latest show surrounds you with clues, but never confronts you with solutions

          So Much Longing in So Little Space: The Art of Edvard Munch by Karl Ove Knausgaard review

            It’s supposed to be a biography, but Knausgaard writes more about himself than Munch

            How George Michael became the world’s biggest art collector — and best friends with Tracey Emin

              Waldemar Januszczak gets a sneak preview of the pop star’s art collection before it goes under the hammer

              The Renaissance Nude, Royal Academy

                The RA’s definition-busting show throws all preconceptions out of the window — and you’ll find at least as many naked men as women

                The ugly truth behind art: why Nan Goldin is taking on the Sacklers

                  The Amercian artist is asking awkward questions about our gallery funding. It’s time we joined her

                  Dorothea Tanning review — some striking feminine anger at Tate Modern

                    One of many women overlooked in the surrealist movement, Tanning is now feted with a Tate show of her own

                    Christian Dior, V&A review — an intermittently delightful exhibition

                      For all its charm, the V&A’s Christian Dior exhibition shows clearly that the brand couldn’t measure up to its founder’s work

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